In the first half of the ingeniously crafted play KILO-WAT by Aaron Asano Swenson, Ken, the Japanese-American podcaster, takes the audience through the family roots and foundations in the story about Wat ‘Kilo-Wat’ Misaka as a sports star. A Utah native of Japanese descent, he played point guard to lead the University of Utah basketball … Read more
In the opening of Aaron Asano Swenson’s new play KILO-WAT, Ken Kushida, a Japanese-American podcaster, sets the stage for telling the story about Wat ‘Kilo-Wat’ Misaka, a Utah native of Japanese descent who played point guard to lead the University of Utah basketball team to an NCAA championship in 1944 and the NIT championship in … Read more
At the opening of Full Color, Plan-B Theatre’s 34th season opener, the setting is pleasant and inviting: eight people enjoying each other’s company and feeling comfortable at home, outside a tent in nature. As each person shares a story, the production’s epiphany expands organically, one narrative at a time. While the audience is welcomed to … Read more
Between 2010 and 2020, Utah’s population grew at a faster rate than in any other state and more than 52% of that growth occurred in minority populations. Today, more than 1 in 4 Utahns identify as Black, Indigenous or People of Color (BIPOC), compared to 1 in 5 in the 2010 U.S. Census. As the … Read more
The two actors in the fabulous Plan-B Theatre production of Melissa Leilani Larson’s Bitter Lemon persuade the audience to reconsider Shakespeare’s Macbeth, not just as a chronicle about the fatalistic machinations of power but also as the moral conflict about good and evil. This conflict is manifested in Larson’s character creations of Lady Helen Macduff … Read more
In February, Plan-B Theatre mounted a world premiere production of Balthazar, Debora Threedy’s fresh reimagining of The Merchant of Venice’s Portia. As The Utah Review noted at the time, Threedy’s play is a well-crafted piece of fan fiction. In her two-hander script, she successfully sustained the broader integrity of Shakespeare’s literary world while reconfiguring characters … Read more
Early in Tito Livas’ new play, Squeak, the main character tells the audience emphatically that they have a very active brain. “Sometimes I can’t control what I do or what I say because there’s SO MUCH GOING ON IN HERE and my feelings can be pretty big,” Squeak says. When Squeak feels overwhelmed, they imagine … Read more
FIRE . . . flaming, burning, searing, and penetrating far beneath the superficial items of the flesh to boil the sluggish blood. FIRE … a cry of conquest in the night, warning those who sleep and revitalizing those who linger in the quiet places dozing. FIRE . . . melting steel and iron bars, poking … Read more
After a long talk with Alex, her girlfriend, Lark seems she can barely stay afloat, wondering if she will ever find success as a filmmaker. She speaks to her absent Filipino father: “It makes sense, Dad. That you wanted to fit in. The westerns are all about this idea of finding a place to belong … Read more
In Melissa Leilani Larson’s newest play Mestiza, Or Mixed, thirty-something Lark Timon is a struggling filmmaker hoping to make a big break with one of her six screenplays. Lark, who identifies as a mixed Filipino female, believes her script set in the American West is a sure bet. Lark describes her female protagonist as Reyna, … Read more