EDITOR’S NOTE: The Utah Review begins its preview coverage today of the 48th Utah Arts Festival, which will be held June 28-30 (noon to 11 p.m. on June 28-30) on the Library Square in downtown Salt Lake City. As this is the state’s largest multidisciplinary arts and cultural gathering each year, The Utah Review considers … Read more
In the introduction to her superlative biography Joan of Arc: A History (2014), Helen Castor wrote about her subject’s unique position as historical figure and as an epitome of Medieval Age culture, military history, politics and religious faith: “Unsurprisingly, the effect of Joan’s gravitational field – the self-defining narrative pull of her mission – is … Read more
The idea of turning even a rather small part of Leo Tolstoy’s monumental novel War and Peace into a musical would seem daunting, if not damn near impossible. However, Part 8 of the story, which occurs just before the novel’s midpoint, inspired Dave Malloy to do precisely that. Tolstoy, who achieved the epitome of rich … Read more
The two actors in the fabulous Plan-B Theatre production of Melissa Leilani Larson’s Bitter Lemon persuade the audience to reconsider Shakespeare’s Macbeth, not just as a chronicle about the fatalistic machinations of power but also as the moral conflict about good and evil. This conflict is manifested in Larson’s character creations of Lady Helen Macduff … Read more
In February, Plan-B Theatre mounted a world premiere production of Balthazar, Debora Threedy’s fresh reimagining of The Merchant of Venice’s Portia. As The Utah Review noted at the time, Threedy’s play is a well-crafted piece of fan fiction. In her two-hander script, she successfully sustained the broader integrity of Shakespeare’s literary world while reconfiguring characters … Read more
Plan-B Theatre’s world premiere production of Debora Threedy’s Balthazar is a crown jewel of intimate chamber theater, in every measure. Directed by Cheryl Ann Cluff, the 70-minute production is gratifying in the finest sense, with Threedy’s well-grounded fanfiction take on Shakespeare’s The Merchant Of Venice, the ebullient elegance of Lily Hye Soo Dixon and Jason … Read more
This year’s selections in The Utah Review of the top ten moments of the Utah Enlightenment in 2023, the ninth annual edition, were the easiest to curate in the nine years of publishing this annual list. Likewise, selecting the top moment among the ten was just as easy. In Utah, there are creative producers in … Read more
Pianist and conductor Awadagin Pratt remembers meeting Jessie Montgomery, violinist and composer, several years ago and playing chamber music together for a week. “She talked about the experiences she had in making the transition from a violinist to a composer and her thoughts about music making in general,” Pratt said in an interview with The … Read more
EDITOR’S NOTE: On Friday, Oct. 27, at 11 a.m., from the Rose Wagner Performing Arts Center, The Utah Review will live blog the world premiere of Radio Hour Episode 17: Sherlock Holmes and The Final Problem, produced by Plan-B Theatre and KUER-FM’s RadioWest program. Tune into KUER-FM 90.1 and follow The Utah Review during the … Read more
PIONEER THEATRE COMPANY: MURDER ON THE ORIENT EXPRESS Agatha Christie’s Murder on the Orient Express has remained resilient. It is surprising for a 1934 novel that more often than not has been denigrated by contemporary scholars of literature as lowbrow along with what they perceived as insensitive portrayals of cultural and ethnic stereotypes they contend … Read more